Events

Candidates of the first Wacken Rock 'n Roll Photography Workshop announced!

Announcing the 2022 Wacken Rock ‘n Roll Photography workshop candidates. From August 4-6, six German-based photographers will take part in the intensive workshop led by NOOR author Pep Bonet.

ABOUT

The Wacken Rock ‘n Roll Photography Workshop is a new educational initiative launched as a collaboration between the Wacken Foundation and the NOOR Foundation. Led by NOOR author Pep Bonet, it will empower selected young photographers by facilitating the development of their visual mastery in music, event and festival photography.

NOOR x Pix.T presents an online panel discussion on image ownership and theft in the digital age

NOOR x Pix.T present an online panel discussion on image ownership and theft in the digital age. With NOOR members Andrea Bruce, Francesco Zizola, Olga Kravets, joined by NOOR Creative Director Stefano Carini, Pix.T chief of design & UX Allison Crank and Worldcrunch editor Jeff Israely.

© Andrea Bruce / NOOR Images.

The Details

DIGITAL EVENT | image ownership and theft in the digital age: a new protocol for digital photography. 


TUESDAY, JUNE 14, 2022.

7 PM CET | 1 PM ET

REGISTER HERE

On the week of NOOR’s first ever NFT drop in collaboration with Pix.T, we ask how we can create new protocols and systems to protect digital ownership? What does authenticity and ownership mean in regards to digital, perfectly reproducible, images? And what steps can be taken to ensure the protection and fair-use of images on the internet? 

To address the urgency of this development in digital image culture, the conversation will touch on the NOOR authors’ personal experiences with the theft and misuse of their work by third parties online. The discussion will further expand on the unique manifesto and ethos around the newly developed Pix.T blockchain-backed technology, which aims to promote a new set of professional protocols and a healthier digital economy for professional photographers and visual storytellers. 

© Olga Kravets / NOOR Images

MODERATOR

JEFF ISRAELY

Jeff Israely is the co-founder and editor of Worldcrunch. A former Time magazine bureau chief in Rome and Paris, he has also been a correspondent for the Associated Press, Boston Globe and Oakland Tribune. He teaches at the Graduate School of Journalism of the Institut d'Etudes politiques de Paris (Sciences Po).

PANELLISTS

ANDREA BRUCE

Andrea Bruce is a documentary photographer whose work brings attention to people living in the aftermath of war. She concentrates on the social issues that are sometimes ignored and often ignited in war's wake. 

Andrea’s work started in 2003, Iraq, where she focussed on the obstacles of the conflict experienced by Iraqis and the US military. Over the last decade, she has chronicled some of the world’s most troubled areas. She has worked within various agencies and institutions, including the Washington Post, where she authored the column Unseen Iraq. Andrea went on to join the VII Network before becoming a member of the NOOR agency and foundation. 

She has been named Photographer of the Year on four occasions by the White House News Photographers Association, and has been awarded 2nd prize in the category Daily Life by the World Press Photo Foundation. Andrea is the recipient of multiple awards, grants and fellowships, including; the International Pictures of the Year contest, the prestigious John Faber Award from the Overseas Press Club, NY.

FRANCESCO ZIZOLA

Francesco Zizola (IT) has documented some of the world's major conflicts and the social and humanitarian issues that define human life, keeping intact his strong ethical commitment and signature aesthetic sensibility. In 2008, Zizola founded 10b Photography, Rome, a centre for contemporary digital photography and visual culture. 

Through his many assignments and projects, he has travelled around the world to carefully portray forgotten crises often disregarded in the mainstream media cycle. His work has been awarded on several occasions over the years, including four Picture of the Year International awards, and ten awards from the World Press Photo Foundation. His work has been published in seven books, among which Uno Sguardo Inadeguato (Collana Grandi Autori, FIAF, 2013), Iraq (Ega/Amnesty International, 2007) and Born Somewhere (Delpire/Fusi Orari, 2004), an extensive work on the living conditions of children from 27 different countries.

In 2018 he was awarded the SIAE Prize for Creative Talent at the Venice Film Festival for his movie 'As if we were tuna', selected for 'Giornate degli autori', the autonomous review inside the Festival'

OLGA KRAVETS

Olga Kravets is a journalist by education. She started to take photographs as an alternative means of expression in Russia, where press freedom continues to be a struggle. Filmmaking came naturally after that, a love at first sight. She decided not to choose among the three mediums but combine them all for the sake of the story, be it a week-long reportage or a long-term project.

She is fluent in English, Russian and French. She has working knowledge of Serbo-Croatian and Ukrainian, but she also enjoys working in countries where she does not speak the language.   

In 2018, she accomplished her longest project up to date, Grozny: Nine Cities. Since 2009 she has been exploring the complexity of the aftermath of the two gruesome wars in the tiny North Caucasian republic of Chechnya. Together with Maria Morina and Oksana Yushko, they produced a three-screen installation, a web-documentary that won the 2014 Prix-Bayeux Calvados for war correspondents and a book that launched at Les Rencontres de la Photographie, in Arles, accompanied by an exhibition of the project during the festival.

Currently she is working on a documentary feature set across Europe, taking pictures, filming and directing for media, institutions and companies, as well as teaching documentary storytelling. She works principally in ex-USSR, Europe and Middle East and she is always happy to expand her geography. 

ALLISON CRANK

With a Master's from EPFL (École polytechnique fédérale de Lausanne) in Advanced Studies, Design Research in Digital Innovation, Crank works at the intersection of art, technology, and digital user experience. She helped conceive and design the Pix.T platform.

STEFANO CARINI

Born in Torino, Italy in 1985, Carini is the Creative Director of NOOR Images and the NOOR Foundation. 

An independent thinker, visual artist, photographer, curator, book designer, writer and filmmaker Carini’s core interest lays in visual education, visual literacy and indigenous production of visual work. After studying photography and photojournalism in London, UK and Arhus, Denmark, he briefly worked as photo editor for NOOR Images in Amsterdam before moving to Iraq where he lead Metrography, the first Iraqi photo agency through the war with ISIS and until October 2015 producing several bodies of work which were exhibited across Europe. In 2016 he co-founded DARST Projects, an independent cultural hub for the research, production and publishing of documentary projects that produced ground breaking projects ever since. Carini trains photographers and visual storytellers in Europe and The Middle East and has given lectures at different institutions across the world. He has led visual laboratories with children in the Roma community, with refugees and IDPs in Iraq and with students across Europe.

He is based in Torino Italy where he lives with his two children. 

Photo © Francesco Zizola/ NOOR

For more information contact:

Stefano Carini | Creative Director

stefano@noorimages.com

#THEFT

NOOR Celebrates 15 Years at the Bibliothèque Nationale de France

From April 13 to June 5, the Bibliothèque nationale de France will host the exhibition "This World That Watches Us: 15 Years of NOOR Agency," which celebrates NOOR authors' contribution to visual storytelling.

In addition to the exhibition, a panel discussion with NOOR authors Olga Kravets, Francesco Zizola, Sanne De Wilde and Bénédicte Kurzen was held on April 19 at the François-Mitterrand - Petit auditorium.

The Details

EXHIBITION Dates: WEDNESDAY, APRIL 13 - SUNDAY, JUNE 5

Open: Tuesday, Wednesday, Thursday, Friday, Saturday from 10H - 19H & Sunday from 13h - 19h.

Location: Donors’ Gallery at the Bibliothèque nationale de France. Quai François-Mauriac, 75013 Paris.

Created in 2007, NOOR is comprised of 13 award-winning photographers from 9 different nationalities. This year the agency celebrates its fifteenth anniversary. For the occasion, these established visual storytellers delved into their archives to share over sixty prints with the Bibliothèque nationale de France's Department of Prints and Photography.

Photo © Yuri Kozyrev/ NOOR

This collection of images, which highlights global events, will be presented in the François-Mitterrand location in the Donors' Gallery from April 13 to June 5. Titled “This World That Watches Us: 15 Years of NOOR Agency,” this exhibition embodies the motto of one of the agency's founders, Stanley Greene, that "some things simply need to be seen," a maxim for members who continue to demonstrate their photographic intent and commitment to the world around them.

Officially launched during the Visa pour l'Image festival in Perpignan, France, in September 2007 by Stanley Greene and Kadir van Lohuizen, they were soon joined by seven other co-founders, including Pep Bonet, Yuri Kozyrev and Francesco Zizola. This new agency came at a time when the codes of photo-reporting and visual documentation had been turned upside down; budgets were downsizing, and crowd-sourced photojournalism was becoming increasingly prominent. For NOOR members, the aim was to apply their journalistic approaches to shed light on forgotten stories that media organizations gradually turned away from. The creation of this agency, in the form of a cooperative, is all the more poignant for its continued commitment to educating talented young photographers around the world as part of the Nikon-NOOR Academy sponsored by Nikon Europe.

By integrating different themes––reports on elections, wars, ecology, sociological or economic research––with supportive writings, this exhibition is an immersive experience as witnessed by NOOR photographers.

Photo © Tanya Habjouqa/ NOOR

This exhibition is generously supported by Matthew Rothman and the NOOR Documentary Foundation USA. NOOR would also like to thank Nikon for their continued commitment to the agency.

Entry requirements: This exhibition is free to the general public. The Health Pass is compulsory to access the exhibition. It should be noted that the conditions of access may change according to the ongoing health situation. Be sure to consult bnf.fr before your visit.


RSVP is required to attend the panel discussion. Contact 01 53 79 83 00 or evenements@bnf.fr to express interest.

Header Image © Sanne De Wilde/ NOOR


Check out the Panel Discussion held on Tuesday, April 19.

Location: François-Mitterrand - Petit auditorium, Quai François-Mauriac, Paris 13 Arrondissement.

Please note: In French only.


Press

Arte.fr: ‘Photographie : les 15 ans de l'agence Noor’, published on April 21, 2022.


For more information contact:

Samira Damato, Project Manager & Curator

samira@noorimages.com


#expoAgenceNoorBnF

Agency and Authorship: Approaches to visual storytelling

NOOR, in collaboration with the Houston Museum of African American Culture, presents an online conversation about agency and authorship in visual storytelling with Christopher Blay, Sasha Phyars-Burgess, Tanya Habjouqa and Andrea Bruce.

Banner and photo (above) © Tanya Habjouqa/ NOOR

Digital Event | Agency and Authorship: Approaches to visual storytelling, Christopher Blay in conversation with Sasha Phyars-Burgess, Andrea Bruce and Tanya Habjouqa


Thursday, March 3, 2022.

7 PM CET | 1 PM ET

Registration has closed for this event.


On Thursday, March 3, the Chief Curator of the Houston Museum of African American Culture, Christopher Blay, will converse with 2020 Stanley Greene Legacy Prize and Fellowship recipient Sasha Phyars-Burgess and NOOR members Tanya Habjouqa and Andrea Bruce about agency and authorship in visual storytelling, both as authors in the documentary community and as visual practitioners entering spaces. This conversation will touch on the history of photography and contemplate the role agency has in evolving documentary and journalistic practices.

During the conversation, Sasha will share her work “UNTITLED AND YET TO BE DETERMINED, 41.8949° N, 87.7654° W (AUSTIN)” and Christopher, Andrea, and Tanya will speak to this subject through their own selection of visuals. Each participant will discuss their motivations for different stories as it relates to different environments and how their understanding of self corresponds to their progressing approach to photography.

To view the conversation on March 3, visit the link below.


The Moderator

Christopher Blay

Christopher Blay is the Chief Curator of the Houston Museum of African American Culture. The Liberian-born American artist, writer, and curator was the News Editor at Glasstire Magazine from 2019 - 2021 and served as curator for the Art Corridor Galleries at Tarrant County College in Fort Worth for the ten years prior to Glasstire. Blay has been a guest lecturer at the University of North Texas, Texas Christian University, Tarleton State University, Sam Houston State University, as well as the University of Texas at Arlington and Stephen F. Austin university in Nacogdoches, Texas.

Blay’s writing credit includes art criticism, Op Ed essays, and interviews for the Fort Worth Weekly, Glasstire Magazine, and most recently, the November/December cover article for Art in America Magazine.

Blay has spoken at length about his work at museums such as the Dallas Museum of Art, the Kimbell Art Museum and the Modern Art Museum in Fort Worth. His public lectures also included conferences such as the Texas Society of Architects convention in 2014, New Cities, Future Ruins presented by Southern Methodist University in Dallas in November, 2016, and Texas A&M University in 2021.

A list of awards Blay has received for his work includes the Otis and Velma Davis Dozier travel grant from the Dallas Museum of Art, a Nasher Sculpture Center Artist’s Grant, and Critics Choice awards from the Dallas Observer and the Fort Worth Weekly. Blay has served on jury panels for the Nasher Sculpture Center, Southern Methodist University Meadows Museum's Moss/Chumley award, Big Medium’s Tito’s Prize, as well as numerous University gallery exhibitions including the recent student exhibitions at Texas State University in San Marcos, and the Juried Members exhibition of the South Central Chapter of the Society for Photographic Education in Dallas. The artist hosted a panel discussion on the mural boom in Fort Worth at the Modern Art Museum of Fort Worth in September.

As an artist, Blay uses photography, video, sculpture, and performance in exhibitions, and his work considers the Black experience in America. His exhibitions and public art projects follow the themes of the Black experience and include the ongoing East Rosedale Monument Project in Fort Worth, Texas, and Dindi (for Annibel) in Dallas' Coombs Creek park near Oak Cliff. His most recent exhibition, Power, Traps, and Targets: New Work by Christopher Blay was exhibited at Big Medium gallery, Austin, Texas, and is part of the Amarillo Biennial-600 in Amarillo, Texas. The exhibition focuses on justice, equality, and race, and will be on view through January, 2022.

Blay is a 2003 Graduate of Texas Christian University with a BFA in Photography with a minor in Art History.


PANALISTS

Sasha Phyars-Burgess

b.1988.

Scorpio.

Black.

Alive.



Tanya Habjouqa

Born in Jordan and raised between Texas and the Middle East, Tanya Habjouqa fuses a mordant sense of irony with unstinting, forensic interrogations of the implications of geopolitical conflict on human lives. Largely focusing on the Middle East, her work on Israel-Palestine, in particular, has been cited as a powerful investigation of the cross-currents of religion, politics, economics, and cultural production. Her project Occupied Pleasures received critical acclaim from Time Magazine and Smithsonian and the project won a World Press Photo award. A leading advocate for new methods in photojournalism and documentary practice, Tanya is the co-founder of the Middle East visual storyteller organization Ruwa, and is a mentor in the Arab Documentary Program, providing marginalized narratives and narrative-creators with the space and skills to tell their stories. She is an artist, educator, and member of NOOR Images. There is always a layer of gravitas and an intuitive sense of metaphor beneath her work.



Andrea Bruce

Andrea Bruce is a documentary photographer who brings attention to people living in the aftermath of war. She concentrates on the social issues that are sometimes ignored and often ignited in war's wake. 

Andrea started working in Iraq in 2003, following the intricacies and obstacles of the conflict experienced by Iraqis and the US military. For over ten years she has chronicled the world's most troubled areas, focusing on Iraq and Afghanistan. For eight years she worked as a staff photographer for The Washington Post and later as part of the VII Network (2010-2011). At The Post, she originated and authored a weekly column called "Unseen Iraq.” She also worked at The Concord Monitor and The St. Petersburg Times and after graduating from The University of North Carolina at Chapel Hill. 

Her awards include top honors from the White House News Photographers Association (where she has been named Photographer of the Year four times), several awards from the International Pictures of the Year contest, and the prestigious John Faber Award from the Overseas Press Club in New York. In 2010 she received the WHNPA grant for her work in Ingushetia and was a 2011 recipient of the Alicia Patterson Foundation Fellowship. In 2012 she was the recipient of the first Chris Hondros Fund Award for the “commitment, willingness and sacrifice shown in her work.” The World Press Photo awarded her 2nd prize Daily Life singles for the image 'Soldier's Funeral’ in 2014. In 2016 she was a recipient of the Harvard Nieman Fellowship.

Andrea Bruce was a CatchLight Fellow in 2018 and is currently a National Geographic Explorer. She is presently based in North Carolina and is the author of a weekly bulletin about the region, Down in the County.



FOR MORE INFORMATION CONTACT:

KYLA WOODS | KYLA@NOORIMAGES.COM


February 14, Remembering Stanley Greene

Join friends, colleagues, and the Stanley Greene Legacy Prize and Fellowship recipients for an intimate online conversation on February 14 at 7 PM CET that remembers Stanley Greene's life and contribution to photography.

Photo © Stanley Greene/ NOOR

Monday, February 14, 2022

7 PM CET | 1 PM ET

Registration for this event is now closed.

Stanley Greene was known for his poetic, haunting, and unfiltered images, ranging in visual essays on conflict to stories on SF’s thriving underground music scene. During his career, he was the recipient of five World Press Photo awards, the 2016 Lifetime Achievement Visa d’or Award, the 2004 Eugene Smith Grant, and published six books, Somnambule, Marval, 1990; Open Wound, Trolley, 2003; Stanley Greene n°118: Photo Poche n°118, Actes Sud, 2008; The Road to Ruin, Visa pour l'Image, 2008; his photographic memoir Black Passport, Schilt Publishing, 2009; and The Western Front, André Frère Éditions, 2013.

On Monday, February 14, NOOR and NOOR Foundation hosted an online conversation to remember and celebrate the late photojournalist Stanley Greene. This informal conversation will engage friends, colleagues, and the Stanley Greene Legacy Prize and Fellowship recipients, Sasha Phyars-Burgess and Tako Robakidze, with the acclaimed photographer’s work and methodology. 

This online event was an opportunity to learn about Stanley Greene and interact with his work in a very candid and personal way: through the musings and recollections of his closest companions, and the questions of the Stanley Greene Legacy Prize and Fellowship recipients.

View the event below.

Remembering Stanley Greene will include the memories and voices of:

  • Andrea Bruce, documentary photographer from the U.S. whose work focuses on people living in the aftermath of war, concentrating on the social issues that are sometimes ignored and often ignited in war's wake. For the past five years she has turned her attention to the U.S. to examine how people define and experience democracy. She is a member of NOOR.

  • Kadir van Lohuizen, photography lecturer and co-founder of NOOR photo agency. He has been a professional photographer since 1988, and has received numerous prizes, including two World Press Photo awards, a Visa D’or for his work in Chad and in 2004 was awarded the prestigious Dutch Dick Scherpenzeel Prize for the best reporting on the developing world.

  • Nina Alvarez, journalist, documentarian, video photographer and assistant professor of journalism at Columbia University. In her documentary work, she has concentrated on women and girls and the impact of migration.

  • Nina Berman, American documentary photographer, filmmaker, author and professor at Columbia University in New York City. She was a NOOR member from 2009-2021.

  • Sasha Phyars-Burgess, Stanley Greene Legacy Prize and Fellowship recipient. b.1988. Black. Alive.

  • Tako Robakidze, Stanley Greene Legacy Prize and Fellowship recipient and documentary photographer based in Tbilisi, Georgia. Tako has dedicated a significant part of her photographic work to voice the stories of the war and the occupation in Georgia and socioeconomic conditions in regions of the country.

  • Teun Van der Heijden, graphic designer and co-founder of Heijdens Karwei, a graphic design agency based in Amsterdam and New York. Next to running Heijdens Karwei where he has designed award-winning photography books like Black Passport, Diamond Matters, Rape of a Nation, Interrogations, War Porn, among others, Teun is a professor of Visual Design and Hybrid media at the LUCA School of Arts in Genk, Belgium and a faculty member of ICP, the International Center of Photography in New York and mentor of MAPS (Master of Photography and Society) at the KABK Royal Academy of Arts in The Hague.

Stanley Greene

During the early years of his career, Stanley Greene (USA, 1949-2017) produced The Western Front, a unique documentation of San Francisco’s punk scene in the 1970s and 80s. An encounter with W. Eugene Smith turned his energies to photojournalism. Stanley began photographing for magazines, and worked as temporary staff photographer for the New York Newsday.

In 1986, he moved to Paris and began covering events across the globe. By chance, he was on hand to record the fall of the Berlin Wall. The changing political winds in Eastern Europe and Russia brought Greene to a different kind of photojournalism. He soon found himself photographing the myriad aspects of the decline of communism and the break-up of the Soviet Union.

Stanley was a member of the Paris-based photo agency Agence VU from 1991 to 2007. Beginning in 1993, he was based in Moscow working for Liberation, Paris Match, Time, The New York Times Magazine, Newsweek, Le Nouvel Observateur, as well as other international news magazines. In October 1993, Stanley was trapped and almost killed in the White House in Moscow during a coup attempt against Boris Yeltsin. He was the only western journalist inside to cover it. Two of his resulting pictures won World Press Photo awards.

In the early 1990s, Stanley went to Southern Sudan to document the war and famine there for Globe Hebdo (France). He traveled to Bhopal, India, again for Globe Hebdo, to report on the aftermath of the Union Carbide gas poisoning. From 1994 to 2001, Stanley covered the conflict in Chechnya between rebels and Russian armed forces. His in-depth coverage was published in the monograph Open Wound: Chechnya 1994-2003 (Trolley 2003) and in the 1995 publication Dans Les Montagnes Où Vivent Les Aigles (Actes Sud). The work also appeared in Anna Politkovskaya’s book, A Dirty War: A Russian Reporter in Chechnya (2001). In 1994, Stanley was invited by Médecins sans Frontières to document their emergency relief operations during the cholera epidemic in Rwanda and Zaire. He has covered conflict and aftermath in Nagorno-Karabakh, Iraq, Sudan, Darfur, Afghanistan, Kashmir, and Lebanon.

Stanley was awarded a Katrina Media Fellowship from the Open Society Institute in 2006. In 2010, to mark the fifth commemoration of Hurricane Katrina - together with Dutch photographer Kadir van Lohuizen - Stanley made “Those who fell through the cracks”, a collaborative project documenting Katrina's effects on Gulf coast residents. The same year, Stanley’s book Black Passport was published (Schilt). In 2012, Stanley was the guest of honor of the Tbilisi Photo Festival and began his project on e-waste traveling to Nigeria, India, China and Pakistan. 

Stanley has received numerous grants and recognitions including - the Lifetime Achievement Visa d’Or Award (2016), the Aftermath Project Grant (2013), the Prix International Planète Albert Kahn (2011), W. Eugene Smith Award (2004), the Alicia Patterson Fellowship (1998) and five World Press Photo awards. Stanley presented the Sem Presser keynote lecture at the 2017 World Press Photo Award Festival. 

Stanley Greene is a founding member of NOOR. Stanley passed away in Paris, France on May 19th, 2017.


For more information contact:

Kyla Woods: kyla@noorimages.com

EMERGING STORIES #11: JOURNALISM IN TIMES OF ISOLATION

Kadir van Lohuizen shares a conversation with (inter)national journalists; Ingeborg Beugel, Meron Estefanos and Geesje van Haren.

On our Instagram Live at 4pm CEST

Read more about the show here: https://bit.ly/30MKf6I

© Kadir van Lohuizen  / NOOR

© Kadir van Lohuizen / NOOR

Stanley Greene: Une Vie à Vif - Book

A Life in the Making tells the story of the world after 1989 through the lens of Stanley Greene. The counterpoint of a life told by a passionate photographer, JD Morvan, and the expressive and precise drawing of Tristan Fillaire.

With his iconic photographs, his contact sheet, this drawn narrative offers a biographical insight in Stanley’s life, integrating his life work, describing the relationship between a man and the violence of his time.

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Emerging Stories #3: Journalism in times of isolation

In the third edition of Journalism in times of isolation, Kadir van Lohuizen will talk with journalists Thomas Erdbrink, Maksym Eristavi and Marjon van Royen about their work during the global pandemic.

Nina Berman / NOOR

Nina Berman / NOOR

Take a Virtual Tour of 'Rising Tide'

Kadir van Lohuizen takes you on a tour of his exhibition 'Rising Tide' at The National Maritime Museum. Watch videos of different areas affected by the rising sea level.

Kadir van Lohuizen / NOOR

Kadir van Lohuizen / NOOR