Ania Mininkova

 

The Monster Within

The search for mysterious animals – from mountain gorilla to giant panda, who were in their own time considered a myth and a monster joke, was successful because of the people who were willing to be ridiculed as myth chasers.

The term “cryptozoology” – an unrecognized science focused on unknown animals – was coined in the 1940s, and what started as a scientific pursuit began a life of its own. The deepest appeal the wilderness and monsters have for humans launched a popular culture and research on a previously unimaginable scale with the advent of the internet.

People looking for Bigfoot, chupacabra, Mothman and a pantheon of both biologically possible and mythical “cryptids” can find fellow researchers and witnesses in a matter of seconds. What was isolated and confined, became real and widely available on Google search.

Is the monster myth a part of phenomena that took America to a place where people are increasingly entitled not only to their own opinions, but to their own facts?

This project is a pursuit of American monsters, both roaming in the wilderness and lurking within.

Ania Mininkova

Photographer and sculptor, Ania Mininkova explores themes of consciousness, fragility of memory, and perception.

Coming of age during the era of hybrid wars in Eastern Europe and Caucasia, Ania’s practice is deeply informed by the fallible nature of perception amongst unreliable narration.

Born in Ukraine, living in Poland, Russia, Indonesia, Australia and eventually the United States, her experiences of transition, placelessness and ever changing historical narratives have driven her recent work on “A Monster Within”.