Jon Lowenstein's project "Shadow Lives" is currently being exhibited at the Soho Photo Gallery in New York City as part of the "immigrants" exhibition. You can go until October 19, 2019.
© Anastasia Page
Nina Berman | Coverage of the Global Climate Strike in NYC for Liberation
Tens of thousands of people, mostly young people, gathered in Lower Manhattan for the global climate strike on September 27. For Liberation, Nina Berman covered the strike in New York City as part of a global movement that brought over 7.6 million people.
© Nina Berman / NOOR
Nina Berman | Reflection on Robert Frank's legacy for The New York Times
“Most days I never made a picture, but sometimes I did, and my bar was always Robert Frank”
© Nina Berman / NOOR
Alongside 8 other photographers, Nina Berman reflected on Robert Frank's legacy in The New York Times.
Nina Berman | Panel Discussions at Photoville
Nina Berman will be at Photoville to participate in two panel discussions in the New York City.
Nina Berman / NOOR
Panel: Teargas, Trolling, and Trauma: Photographing Political Polarization in the U.S.
Date: September 22nd, 5:00PM – 6:00PM
Location: The Studio at St. Ann’s Warehouse
Panel: Conversations on Conflict Photography
Date: September 15th, 12:00PM – 1:00PM
Location: St. Ann’s Warehouse
Sanne De Wilde & Benedicte Kurzen | West Indian Day Carnival
NOOR visual-storytellers Sanne De Wilde and Benedicte Kurzen will be in New York City for Labor Day to cover the West Indian Day Carnival. The duo won a World Press Photo award earlier this year for their collaborative visual project on twinhood in Nigeria.
Markovci, Slovenia, March 2019. Benedicte Kurzen / NOOR
Labor Day in New York City is host for the most colourful and wildest parade in the U.S. Labor Day Parade, or West Indian Day Carnival. It gathers around two million people in Crown Heights, Brooklyn, on the first Monday of September.
People dress up as politicians, celebrities, or simply put on really vivid and bright costumes with feathers and crystals. The parade marches along the Eastern Parkway accompanied by the sounds of drums, whistles, reggae and calypso music, and sometimes people throw powdered paint at each other. Vendors sell some great ethnic treats and beverages along the way so that both marchers and watchers can fuel up and continue to party.
Since Trump was elected president, the interracial relationships have deteriorated to a state where most Americans (65%) – including majorities across racial and ethnic groups – say it has become more common for people to express racist or racially insensitive views (Pew Research Center). Yet the Caribbean community is historically embedded in the making of New York City as a cultural melting pot.
Caribbean immigration to New York City has been prevalent since the late 1800s and the early 1900s. This immigration wave saw large numbers of people from Jamaica, Haiti Cuba, Dominican Republic Guyana, Trinidad and Tobago. Since the nineteenth century, Caribbean immigrants were counted among some of the most influential members of black American society, holding positions as religious leaders, educators, politicians, and entrepreneurs. In New York City, they contributed with their unique cultural experiences to help shape the state’s identity.
The Carnival is rooted in the 1930's initiatives by Ms. Jessie Wardell and some of her West Indian friends who started it all by staging costume parties in big, enclosed places due to the cold weather of February. Late winter is a traditional time for the pre-Lenten festivities held in most Christian countries around the world. Organizers wanted to change the indoor locations to the open air spaces to keep the true carnival spirit with parading in bright costumes to the sounds of music.